With Happy Death Day (and its even-more-bonkers sequel Happy Death Day 2 U), filmmaker Christopher Landon took a trope most closely associated with a beloved comedy (Groundhog Day), with a protagonist experiencing the same day over and over again and turned it into a brilliant horror romp. (It was wildly entertaining and offered valuable commentary on repetitiousness of soulless horror movies.) For his latest film, Landon has attempted a similar genre-blending reinvention, pairing a broad body swapping conceit (made famous in Disney’s Freaky Friday and appropriated by a stream of crude 1980s comedies) with the tropes …