Almost as emotional as the first movie's ending, honestly. <p><strong>The Background:</strong> Jessica Rawden is Managing Editor at CinemaBlend. She’s been kicking out news stories at CinemaBlend since 2007 and joined the full-time staff in 2014. She oversees news content, hiring and training for the site, and her areas of expertise include theme parks, rom-coms, Hallmark (particularly Christmas movie season), reality TV, celebrity interviews and primetime. She loves a good animated movie.&nbsp;</p> <p><br></p> <p>Jessica has a Masters in Library Science degree from Indiana University, and used to be found behind a reference desk most definitely not shushing people. She now uses those skills in researching and tracking down information in very different ways.&nbsp;</p> <p><br></p> <p><strong>What She’s Into</strong>: A former soccer player and recent tennis addict, Jessica also enjoys running, both of the distance and sprint variety. When not at the movie theater or in a theme park, her other free time is spent in book clubs, hiking, drinking wine, binge-watching, keeping tabs on celebrity fashion and riding rollercoasters. Has a serious Hallmark habit and an even bigger record-buying habit. Will bake for compliments.&nbsp;</p> <p><br></p> <p><strong>What She’s Excited About Right Now</strong>: &nbsp;Hallmark Christmas movie season. Wearing socks to bed. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>

Anyone else feel this way?

Satire, at its best, offers an angle or viewpoint you didn't consider before. It provides clear revelation on a complicated subject. Think of Parasite, which doesn't say the word "capitalism" once, but constructs an entire narrative explaining the economic system's weaknesses while still using believable characters within a compelling framework. Craig Zobel's new movie The Hunt, by comparison, aspires to be satire but at best it's a thought experiment and at worst it's what would happen if a dopey pundit like Chris Cillizza tried to write a screenplay. Working from a script by Damon …