Steven Soderbergh has always been a trailblazer. His indie sex, lies & videotape forever changed the Sundance Film Festival 30 years ago, turning it into a hot market for potentially commercial independent films. He was an early adopter of digital cameras. And he was one of the first directors to helm an entire season of television with Cinemax’s sorely underrated The Knick. So in 2017, when Soderbergh announced a new experiment for film distribution, interest was piqued. Unfortunately, that experiment—which launched with the heist comedy Logan Lucky and was implemented once again for the psychological thriller movie Unsane—…
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