Gal Gadot's Amazon movie has a big payoff. <p><strong>The Background</strong>: Corey Chichizola has been with CinemaBlend since 2015, starting as the Weekend Editor before climbing up the ranks and eventually becoming the Movies Editor. Born and raised in New Jersey and an alumnus of Ramapo College, he's combined his degrees in theater and literature to cover the the way stories are told in TV and film. On top of helping run the news cycle, Corey has been honored to do a variety of on camera interviews with his personal heroes, and has been particularly privileged to speak with actors about their process on set. Before joining the CB team he worked in the New York theater world, and is thrilled to be in such close proximity to the city that never sleeps.</p> <p><br></p> <p><strong>What He's Into</strong>: Corey is one of CinemaBlend's biggest horror nerds, and is happy to cover all thing spooky, especially related to favorite franchises like Halloween and Scream. He's also taken his passion and education for theater to cover the movie musical beat on the website. While a movies editor, Corey is also a television addict, watching what seems like a billion different shows every year. Aside from scripted programs, he's got a passion for certain corners of the Reality TV world including Survivor, RuPaul's Drag Race, and the Real Housewives. He's also got a passion for the mockumentary subgenre on both the big and small screens, especially projects like Drop Dead Gorgeous, Waiting for Guffman, and The Office.</p> <p><br></p> <p><strong>What's He's Excited About Right Now</strong>: Anything that Jordan Peele will give us, Talk to Me, the Exorcist reboot, the final season of Handmaid's Tale.</p>
Join us as we talk out some of the most confusing endings of movie history.
Spoilers for the Black Mirror episode “Smithereens” follow below. Viewers of Black Mirror are certainly no stranger to ambiguous or bleak endings, but one of the Season 5 episodes leaves things on a slightly less clear note than usual. Black Mirror: Smithereens tackles social media culture—more specifically humanity’s obsession with staring at their phones day-in and day-out, especially when prompted by notifications. The hourlong episode follows a clearly unwell man named Chris (Andrew Scott) who holds the employee (Damson Idris) of a Twitter-like company called Smithereen hostage, demanding to speak to the company’s CEO …