The core of Office Space is the absurdity of office life. Mike Judge’s comedy wasn’t the first to seize on this, and the second-half of the 20th century is filled with examples of people feeling like meaningless drones in a corporate existence that holds considerable sway over the lives of individuals while also divorcing individuals from their individuality. Peter (Ron Livingston) chooses to meet absurdity with absurdity, becoming disconnected from a workplace that has no connection to him. But through it all, Office Space has just that—space. It’s a workplace that’s both uncaring and …
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