It’s not often a film composer is asked to use silence as part of his sonic soundscape for a particular project, but that’s exactly how Benjamin Wallfisch approached his excellent score for Universal’s horror-thriller The Invisible Man. The film is ostensibly based on the classic monster movie of the same name, but co-writer/director Leigh Whannell has in truth crafted a wholly unique take on a story in which a man turns himself invisible. This is a monster movie that makes the victim the protagonist, as Whannell’s film finds a domestic abuse survivor named …
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SPOILER ALERT: This article contains major spoilers for events of The Marvelous Mrs. Maisel thus far.
If ever a superhero movie called for an adventurous score, it’s Shazam!. The DC Comics adaptation it literally about a kid becoming a superhero, and director David F. Sandberg’s film is abundant with joy, wonder, and opportunity. To that end, when it came time to composing the film’s score, Sandberg enlisted his frequent collaborator Benjamin Wallfisch to draw from classic adventure films of the 80s, particular of the Amblin variety. The result is a score that wholly embraces the wish fulfillment at the center of the film’s story—it’s uplifting, wondrous, and personally reminded me …