Bleary sunsets, neon lights against wet streets, electric guitars and synths and electronic tom toms just wailing, professionals just being capital p Professionals, Al Pacino screaming "'Cause she's got a grrrRRREAT ASS!" Clearly, Michael Mann is one of our premiere film stylists, an auteur whose sensibilities and proclivities are defined and refined as early as his debut picture. In fact, the Chicago-born Mann, a tough-talker notorious for running tough sets built on authenticity over everything else, sometimes gets dinged for a "style over substance" approach, especially in his iconic TV work like Miami Vice. But underneath the …
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