This article is presented by Quibi. Ah, the long take. In a form defined by the "edit," that invisible/visible mode of switching vantage points rapidly, subconsciously/consciously reminding us what we're watching isn't real, the long take sneaks in the back of our brains and says, "Yeah, but it kind of is, though." If there are any edits in one of these unbroken pieces of cinematographic magic tricks, they're obscured; all the better to present the sudden illusion that what we're watching is a chunk of unfettered reality (when in reality, it's very fettered …