How does the threequel compare? <p><strong>The Background</strong>: Corey Chichizola has been with CinemaBlend since 2015, starting as the Weekend Editor before climbing up the ranks and eventually becoming the Movies Editor. Born and raised in New Jersey and an alumnus of Ramapo College, he's combined his degrees in theater and literature to cover the the way stories are told in TV and film. On top of helping run the news cycle, Corey has been honored to do a variety of on camera interviews with his personal heroes, and has been particularly privileged to speak with actors about their process on set. Before joining the CB team he worked in the New York theater world, and is thrilled to be in such close proximity to the city that never sleeps.</p> <p><br></p> <p><strong>What He's Into</strong>: Corey is one of CinemaBlend's biggest horror nerds, and is happy to cover all thing spooky, especially related to favorite franchises like Halloween and Scream. He's also taken his passion and education for theater to cover the movie musical beat on the website. While a movies editor, Corey is also a television addict, watching what seems like a billion different shows every year. Aside from scripted programs, he's got a passion for certain corners of the Reality TV world including Survivor, RuPaul's Drag Race, and the Real Housewives. He's also got a passion for the mockumentary subgenre on both the big and small screens, especially projects like Drop Dead Gorgeous, Waiting for Guffman, and The Office.</p> <p><br></p> <p><strong>What's He's Excited About Right Now</strong>: Anything that Jordan Peele will give us, Talk to Me, the Exorcist reboot, the final season of Handmaid's Tale.</p>
After Scream and Abigail, Ready or Not's directors are ready for a sequel.
Descending from the heavens in 2016, The Young Pope was one of the most singularly strange things to hit TV over the last decade. When marketing for Paolo Sorrentino's Vatican-set drama first plastered the sinfully attractive Jude Law front-and-center, the internet drove straight down the "hot Pope who fucks" route. But in Law's Pope Pius XIII, Sorrentino delivered the unexpected, a Pope that aggressively did not fuck, but instead plunged the Catholic Church into an age of extreme devotion, idolatry, and conservatism. It was also, as glimpsed through Sorrentino's auteristic lense, very weird. Pius …
Disney's animated sequel Frozen 2 is out here breaking all sorts of box office records, but if you're one of the people who still need a bit of convincing, here's the film's breakout banger of a ballad "Into the Unknown" in its entirety. Sung by Idina Menzel's Elsa, the song is basically the spiritual sequel to "Let It Go", made all the more magical by Menzel's trademark ability to turn a normal word into a work of art with about 16 more syllables than it originally had. Directed by Chris Buck and Jennifer Lee, …