Some Latin America-based viewers are ready to rise up about Hamilton! Rise up!

Here's everything you need to know.

Disney+ is coming to Latin America with some killer discounts.

90 Day Fiancé's Julianna Custodio and Michael Jessen just confirmed that they are adopting two children from Brazil together, her niece and nephew.

Ryan Reynolds screened footage from Netflix's new Michael Bay movie at CCXP.

Kevin Feige surprised the Sao Paulo crowd with an exclusive first look at the ensemble film!

Extended footage from Episode 9 revealed at Brazil Con Con.

Natasha, "Captain Russia", Yelena, Melina and Taskmaster!

Check out nine awesome fan-made posters from CCXP19 that Paramount Pictures is using to promote its upcoming Sonic the Hedgehog film.

90 Day Fiancé alumni Paul and Karine Staehle's home in Brazil was "severely burglarized" and Paul shared pictures of the devastation on Instagram.

The third installment in the Fantastic Beasts franchise will be set in Rio de Janeiro, Brazil.

An epic telenovela spanning a sprawling 174 episodes, Deus Salve O Rei is a medieval fantasy drama and basically Brazil’s answer to Game Of Thrones.

After a Brazilian mayor fails to censor Marvel's same-sex kiss, the Young Avengers have become overnight symbols of LGBTQ+ representation.

Bacurau was the stand out genre film at the 2019 Cannes Film Festival. The Brazilian-French co-production shared the Jury Prize with the tough French suburban drama Les Miserables. The Cannes Film Festival this year had a distinctive genre bent, initially heralded by Jim Jarmusch’s opening film, The Dead Don’t Die. Though many of the genre films were the product of young French producers who are keen to set the country’s traditional arthouse cinema on a new track. Or at least inject some undead into the proceedings. Two women producers Judith Lou Levy and Eve Robin …

Bacurau was the stand out genre film at the 2019 Cannes Film Festival. The Brazilian-French co-production shared the Jury Prize with the tough French suburban drama Les Miserables. The Cannes Film Festival this year had a distinctive genre bent, initially heralded by Jim Jarmusch’s opening film, The Dead Don’t Die. Though many of the genre films were the product of young French producers who are keen to set the country’s traditional arthouse cinema on a new track. Or at least inject some undead into the proceedings. Two women producers Judith Lou Levy and Eve Robin …