"I think it affected everyone." <p><strong>The Background</strong>: Sarah El-Mahmoud has been with CinemaBlend since 2018, starting as a freelancer shortly after graduating from Cal State Fullerton with a degree in Journalism. In college, she was the Managing Editor of the award-winning college paper, The Daily Titan where she specialized in writing/editing long-form features, profiles and arts &amp; entertainment coverage, including her first run-in with movie reporting, with a phone interview with Guillermo del Toro for Best Picture winner, The Shape of Water.</p> <p><br></p> <p><strong>What She's Into</strong>: Sarah is CinemaBlend's resident YA enthusiast, often bringing her lifetime love of books and the stories behind their often contentious adaptations to the site. Deeply into when music and movies intersect, from knowing the hype musical tracks of Mamma Mia!, beautiful scores of Michael Giacchino and yes, the absolute banger Twilight soundtrack way too well. She is also passionate about highlighting and interviewing voices within the industry to help open the door for Hollywood to better represent the world through movies and television. Horror, she really loves horror movies. The world of animation as well... OK don't make her pick one genre.&nbsp;</p> <p><br></p> <p><strong>What She's Excited About Right Now</strong>: The continued resurgence of horror and musicals. The next Hunger Games movie, Mike Flanagan's upcoming shows, the Wicked movies and the final Spider-Verse animated film.&nbsp;</p>
The Butterfly Effect is an early 2000s gem that I wish more people still talked about. Here's why.
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Indiana Jones 5 director James Mangold didn't want to use any CGI during the filming of Indiana Jones 5, instead prioritising practical effects.
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After Amber Heard's lawyer spoke out, Depp's lawyers respond to claims about social media in the defamation case and more.
We spoke to director Joe Kosinski and star Miles Teller about how Top Gun: Maverick’s astonishing aerial sequences were achieved using unprecedented practical effects and a rigorous training program designed by Maverick himself, Tom Cruise.
The Batman director Matt Reeves shunned VFX for ones of the film's most impressive action scenes, using practical effects instead.
Douglas Trumbull, the legendary visual effects pioneer who worked in 2001: A Space Odyssey and Blade Runner, has died at the age of 79.